![]() The image you see above shows the result. To preserve the moody atmosphere, I processed a single RAW image twice – then combined these two versions of the same image using Photoshop Layers & Masks.įog and humidity in the air reduce the contrast of objects that are farther away, so my first step was to process the RAW file with low contrast. I took this shot in Tinkers Creek State Park in Ohio on a foggy morning. #3: Creating Mood with Multiple Camera ExposuresĬonveying mood in a photograph sometimes requires a little extra care in your processing technique. I used a separate clone layer to clone out the distracting foreground elements. To do this, I used the curves tool and targeted adjustments using Photoshop Layers & Masks to fine tune the contrast for the foreground, sky, and mountains. ![]() Then, I needed to bring out the details and colors as I remembered them. Then, I used Photoshop Layers and Mask to blend these two virtual copies together into a single photo with correctly balanced light. I used a RAW converter to create 2 virtual copies from the RAW file – one for the foreground and one for the sky. To make these changes, I used Photoshop Layers & Masks. The image outlines the processing corrections that I had to make for this low contrast nature photo. Post processing adjustment needed in Photoshop In the image below from Cuyahoga Valley National Park, I was able to restore the rich contrast and vibrant colors using Photoshop Layers & Masks: The result is the creation of a flat and unappealing image. So, low contrast scenes end up using only a fraction of the dynamic range of the sensor. This occurs because, although the contrast and sensitivity of our eyes adjusts based upon the light conditions, the dynamic range of the camera’s sensor remains fixed. But when we open up the raw file, it appears to lack the contrast and details that we remember while out in the field. We can capture the entire dynamic range with a single exposure, so no special filters or bracketing is necessary. ![]() Sometimes we find ourselves photographing a scene where the light conditions are perfect. Here are few ways in which I use Photoshop Layers & Mask in nature photography: #1: Using Photoshop for Adjusting Contrast It is true that photographers can get pretty artistic with Photoshop and HDR technology – but in many cases, processing software also lets us bring our nature photography much closer to reality than those SOOC photos. And none of these SOOC shots represent reality as closely as the manually blended image. Notice that none of the individual exposures looks better than the processed image. Here are the three bracketed exposures – SOOC using default settings. Exposure bracketing for Nature Photography, Lizard Lake, Colorado
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